http://www.localnotlocal.com/new-folder daily 0.75 2015-09-15 http://www.localnotlocal.com/home daily 1.0 2015-10-20 https://static1.squarespace.com/static/52a018cee4b0aa09f5b86112/t/56258ae3e4b0b90282f71483/1442504310654/Ceramic+Type+2.JPG HOME - Singing Vases by Reem Hammad Singing Vases, 2014 Size: 22 x 5 x 6" Medium: Stoneware Underglaze A series of five vases with different sizes and colors with Arabic letterforms. "Singing Vases", are a part of a series of vases created to celebrate spring in color, spirit, and song. The vasesare thrown on the wheel consecutively to create movement from high to low (musical) notes. Carved out of each vase, are stylized Arabic letters forming a different word that relates to music. They are from tall to short 'Nabad'=Pulse, 'Naghma'=Tune, 'Ghinwa'=Song, 'Lahna'=Melody, 'Aaz fa'=Play, https://static1.squarespace.com/static/52a018cee4b0aa09f5b86112/55f70ec8e4b0e5bde7f3213d/55f712ebe4b084d89b99b1ba/1442504310654/Ceramic+Type+2.JPG HOME - Singing Vases by Reem Hammad Singing Vases, 2014 Size: 22 x 5 x 6" Medium: Stoneware Underglaze A series of five vases with different sizes and colors with Arabic letterforms. "Singing Vases", are a part of a series of vases created to celebrate spring in color, spirit, and song. The vasesare thrown on the wheel consecutively to create movement from high to low (musical) notes. Carved out of each vase, are stylized Arabic letters forming a different word that relates to music. They are from tall to short 'Nabad'=Pulse, 'Naghma'=Tune, 'Ghinwa'=Song, 'Lahna'=Melody, 'Aaz fa'=Play, https://static1.squarespace.com/static/52a018cee4b0aa09f5b86112/55f70ec8e4b0e5bde7f3213d/55f70f38e4b059c856e968bb/1442254648839/ HOME https://static1.squarespace.com/static/52a018cee4b0aa09f5b86112/55f70ec8e4b0e5bde7f3213d/55f713b2e4b078d9726ea224/1442352101135/Ebrahim+1.png HOME - 28th Fajr International Music Festival by Ebrahim Poustinchi 40"x 27" Digital Print Illustrating the atmosphere of a music festival and the floating quality of music, detaching from their notations and flowing through space and time. Pointing to the classical aspects of Iranian music, the traditional Nastaligh script is used - yet it's fractured at times, refering to the breaking of molds and taboos of the past by the new generation. Yet again, the background of "Golo Morgh" (Flowers and Birds) touches on the classical Iranian illustration style, while the grayness maintains the melancholic sensibilities of the Persian classical music.   https://static1.squarespace.com/static/52a018cee4b0aa09f5b86112/55f70ec8e4b0e5bde7f3213d/55f712fee4b084d89b99b238/1442352116002/Yusef_3ein.jpg HOME - The letter Ain by Yusef al-Ahmad 17"x 22" Digital Print Experimental typography with the letter "ع"   https://static1.squarespace.com/static/52a018cee4b0aa09f5b86112/55f70ec8e4b0e5bde7f3213d/55f73a6be4b02accbd8f3424/1442352130520/Shilla.jpg HOME - Eternity by Shilla Shakoori 24"x 37" Fabric (canvas) Stitches Cutting the canvas, a simple material with it's mysterious whiteness, a blank slate open to all possibilities, along with hand-stitching in a soothing, meditative way, allows a moment for me to ponder, finding a way to overcome the obstacles that forestall self-expressing. This piece is based on a Rumi poem: We are not from here, and not from there; We are from nowhere, and to nowhere we go.   https://static1.squarespace.com/static/52a018cee4b0aa09f5b86112/55f70ec8e4b0e5bde7f3213d/55f7390ee4b0b3688a6be4e1/1442352154888/Sam-Anvari-2.jpg HOME - The Love of Arabic, Ottoman, and Persian Calligraphy by Sam Anvari & Pouya Jahanshahi 19 x 25” Screen Printed Poster In this event poster Typography recites Rumi'spoem "Sun's beauty is the answer for it's own existence". This timeless quote forms the figure of a whirling Dervish, referring to dance and perfection and the beauty of existence. Usage of Metallic Orange conrasts with the mattgray background, intensifying the glow of this timeless message. Pattens and forms reminisce Arabic, Iranian and Ottoman forms creating a structure the frame work this dance continuous, up to present day. https://static1.squarespace.com/static/52a018cee4b0aa09f5b86112/55f70ec8e4b0e5bde7f3213d/55f71307e4b084d89b99b26f/1442352169906/Yusef_enfi9am.jpg HOME - Schizophrenia by Yusef al-Ahmad 17"x 22" Digital Print A visualization of the word Schizophrenia in Arabic.     https://static1.squarespace.com/static/52a018cee4b0aa09f5b86112/55f70ec8e4b0e5bde7f3213d/55f71309e4b0aed1edc0837c/1442352197323/Yusef_oasis+Cover7.jpg HOME - Fann by Yusef al-Ahmad 17"x 22" Digital Print Cover design for Oasis Magazine. Oasis Magazine is the premier arts & culture magazine from Saudi Arabia that celebrates the cultural heritage and a modern, progressive and young MENA generation that is coming up with new ideas and excelling at them.   https://static1.squarespace.com/static/52a018cee4b0aa09f5b86112/55f70ec8e4b0e5bde7f3213d/55f7139ce4b078d9726ea1a0/1442352211129/Reem%27s+Vases+.png HOME - Al Abjadiya’s Travels ‘Al Abjadiya’s Travels’, Series I, 2010 Sizes: 3 ¼ ”x 5 ¼ ”x12 ¼ ", 3 ¼ ”x 5”x 10 ¾ ”, 3”x 4 ¾”x 8” Medium: Stoneware Clay, Glazes & Gold Luster Price: Not For Sale Whether it is sculptural, decorative or functional designs, my focus is on creating aesthetically balanced and eye-catching designs that speak with the viewer, tell their story, or weave together the past and ‘Abjadiyah’s Travels’ is part of a series of work inspired by the Amphora vessel shape used in Ancient Greece and the Mediterranean cultures to transport and store wine, olive oil, grains and other essential goods. To me the Amphora shape embodies the female figure. She carries life and abundant goodness. She is beautiful, adventurous and travels near and far always on a quest. In this instance, she carries the gift of knowledge and the spread of languages across the seas as she travels from East to West with the Arabic Alphabet letters, known as ‘Al Abjadiya’, hand painted in gold to symbolize this gift.   https://static1.squarespace.com/static/52a018cee4b0aa09f5b86112/55f70ec8e4b0e5bde7f3213d/55f7133ee4b0aed1edc08505/1442352237178/Screen+Shot+2015-09-11+at+5.46.47+PM.png HOME - Etcetera by Yusef al-Ahmad 17 x 22" Digital print on metallic paper Experimental typography using the word "Etcetera" in Arabic.     https://static1.squarespace.com/static/52a018cee4b0aa09f5b86112/55f70ec8e4b0e5bde7f3213d/55f71348e4b097695aef5aa6/1442352251322/Screen+Shot+2015-09-11+at+5.46.58+PM.png HOME - The Letter Waw Repeated by Yusef al-Ahmad 17 x 22" Digital Print Experimental typography repeating the letter "و" in Arabic.     https://static1.squarespace.com/static/52a018cee4b0aa09f5b86112/55f70ec8e4b0e5bde7f3213d/55f7137ae4b078d9726ea0d5/1442352300283/Printmaking+2.jpg HOME - Non-Sense I by Yusef al-Ahmad My Fantasy is Reality and my Reality is Probable 20 x 20 Limited edition 7 layer screen print Kufi style typography and Islamic patterns with a modern twist.   https://static1.squarespace.com/static/52a018cee4b0aa09f5b86112/55f70ec8e4b0e5bde7f3213d/55f713a5e4b078d9726ea1cc/1442352314896/Christian+Nahas+1.png HOME - Habibi by Christian Nahas 17”x11” acrylic on paper This piece expresses the fluid propriety of the word “Habibi”, my love in Arabic. A word that is often used lightly in Lebanese culture, it is sometimes even used pejoratively to express disgust.   https://static1.squarespace.com/static/52a018cee4b0aa09f5b86112/55f70ec8e4b0e5bde7f3213d/55f713c3e4b0917adab6231b/1442352330234/Ebrahim+3.png HOME - World of Right and Licenses in Publication by Ebrahim Poustinchi 40"x 27" Digital Print Poster designed for the Tehran book fair. The interplay between type and letterforms was used to illustrate the interaction between language and culture throughout time. The classic typewriter of the past , and the three- dimensional typography of present.   https://static1.squarespace.com/static/52a018cee4b0aa09f5b86112/55f70ec8e4b0e5bde7f3213d/55f713cbe4b0d9c41f0f1e91/1445300692289/IMG_5161.JPG HOME - Untitled (rice bags), Farzad Kohan Untitled (Rice bags ) 8 x bags 2015 An experimental craft series, Canvas rice bags are a ubiquitous presence in every traditional Iranian kitchen. Using these ephemeral objects as a medium, numbers and character of alphabet are painted, creating a new surface and unifying them through a personal perspective. https://static1.squarespace.com/static/52a018cee4b0aa09f5b86112/55f70ec8e4b0e5bde7f3213d/55f71434e4b0d3eda4822feb/1442352386925/Phantasma.jpg HOME - Phantasma by Yusef al-Ahmad How magnificent it is, to love the unattainable. 13"x 13" limited edition 3 layer screen print The unattainable is always perfect and magical in ones head. Reality could never compete with the power of imagination. The unattainable is flawless and could never lose it's value or cause disappointment as long as it remains out of reach.     https://static1.squarespace.com/static/52a018cee4b0aa09f5b86112/55f70ec8e4b0e5bde7f3213d/55f713f9e4b078d9726ea425/1442352357441/Maece+Seirafi_Zoomorphic_Tiger.jpg HOME - Tiger by Maece Seirafi 8.5 x 11" Pen and Ink "There are no words describing my homeland" This zoomorphic pointillist approach was something Maece cultivated at CalArts with hybrid methodologies in typography. This process includes illustrating letterforms and the zoomorphic integration of Arabic letterforms and their curvaceous nature. Each of the animal forms are composed of a quote in Arabic using the technique called Zoomorphic calligraphy. Instead of using traditional ink with a bamboo stick Maece chose to experiment with pointillism with areas of dark and light to emphasize depth within the form.     https://static1.squarespace.com/static/52a018cee4b0aa09f5b86112/55f70ec8e4b0e5bde7f3213d/55f738f1e4b0b3688a6be444/1442352401757/Milka-Broukhim-1.jpg HOME - Iran's Currency by Milka Broukhim 41" x 18” 12 color archival ink on archival fine art paper Currency of a country is the business card of the country. Iran, the land of Ira people is about 10,000 years old (one of the oldest civilization groups). My first intention was to create a currency system that would emphasis on the richness of the country’s art and architectural history that has been influenced by each major government era. Each currency carries a theme that depicts the historical value via the architectural and the art of the time. In this manner, each currency allows for historical documentation as well as visually communicating the history of Iran in each government era.     https://static1.squarespace.com/static/52a018cee4b0aa09f5b86112/55f70ec8e4b0e5bde7f3213d/55f71362e4b078d9726ea049/1442352414822/Taught+by+Pen.jpg HOME - Taught by the Pen by Nouha Sinno 44" x 29" multimedia on handmade paper The love and interest for Arabic Artis immensely growing. Calligraphy as a prominent element of this art, Artists and viewersare more involved by focusing in this type of expression. From different backgrounds, people appreciate the classic form of letters, and admiring the creation of original and contemporary writing as well. Now Calligraphy is taking multiple directions, artist tend to manipulated the letters as they wish.. It is a blessed move towarda modern Islamic/Arabic calligraphy...   https://static1.squarespace.com/static/52a018cee4b0aa09f5b86112/55f70ec8e4b0e5bde7f3213d/55f73914e4b016adaa106449/1442352430619/sam-anvari-3.jpg HOME - Mehregan Festival, The Ancient Persian Harvest Festival of Autumn by Sam Anvari & Kourosh Beigpour 19" x 25” Screen Printed Poster Persian Festival of Autumn Harvest: The tree in the background is symbol of life and prosperity, borrowed from Persopolis.     https://static1.squarespace.com/static/52a018cee4b0aa09f5b86112/55f70ec8e4b0e5bde7f3213d/55f71408e4b077a73ad2176e/1442352444684/Peacock.png HOME - Peacock by Maece Seirafi “I Dream Daily” 8.5" x 11" Pen and Ink This zoomorphic pointillist approach was something I cultivated at CalArts with hybrid methodologies in typography. This process includes illustrating letterforms and the zoomorphic integration of Arabic letterforms and their curvaceous nature. Each of the animal forms are composed of a quote in Arabic using the technique called Zoomorphic calligraphy. Instead of using traditional ink with a bamboo stick I decided to experiment with pointillism with areas of dark and light to emphasize depth within the form.   https://static1.squarespace.com/static/52a018cee4b0aa09f5b86112/55f70ec8e4b0e5bde7f3213d/55f716ace4b077a73ad22a98/1442504286827/unnamed-1.jpg HOME - Confessions by Paul Batou 30" x 4" x 15" Acrylic on Canvas Based on a poem: "Journey with Ishtar Fall of Mesopotamia". My colors are united in one piece of art, reflecting the tone of the earth, the language of the universe, the cry of pain of the oppressed people. On my canvas, the black, red, and white are in harmony just like my soul. I would for all people to achieve that kind of unity.   https://static1.squarespace.com/static/52a018cee4b0aa09f5b86112/55f70ec8e4b0e5bde7f3213d/55f71440e4b0d3eda4823045/1442352482897/Paymon+1.jpg HOME - Love by Paymon Pojhan 19"x 11"x 5" Steel and Epoxy The unity of the Persian alphabet and their synergy on one hand, and the the contrast that each form holds, is a metaphor for the difference existing between two individuals, that because of their love create a whole, a unified entity.   https://static1.squarespace.com/static/52a018cee4b0aa09f5b86112/55f70ec8e4b0e5bde7f3213d/55f716a3e4b077a73ad22a32/1442352495530/Pouya03_FracturedCity04b_Fin_otput.jpg HOME - Teherangeles by Pouya Jahanshahi 24" x 36" Digital Print Tehrangeles is a neighborhood of West Los Angeles, home to the largest community of Iranian Diaspora. Here, the metaphorical form of a Persian carpet – as a map – celebrates the structures that host various generations and dimensions of Iranians culture in this unique geographic area. On a typo-linguistic dimension, Farsi and English typographic forms are fractured, and melded together referring to the hybrid languageheard all along the Tehrangeles vicinity, where Farsi and English words reside side by side in a sentence– at times referred to as "P-English".   https://static1.squarespace.com/static/52a018cee4b0aa09f5b86112/55f70ec8e4b0e5bde7f3213d/55f738eee4b0c86dd617ba1c/1442352507036/Milka-Broukhim-2.jpg HOME - Iran's Currency by Milka Broukhim 41" x 18” 12 color archival ink on archival fine art paper Currency of a country is the business card of the country. Iran, the land of Ira people is about 10,000 years old (one of the oldest civilization groups). My first intention was to create a currency system that would emphasis on the richness of the country’s art and architectural history that has been influenced by each major government era. Each currency carries a theme that depicts the historical value via the architectural and the art of the time. In this manner, each currency allows for historical documentation as well as visually communicating the history of Iran in each government era.   https://static1.squarespace.com/static/52a018cee4b0aa09f5b86112/55f70ec8e4b0e5bde7f3213d/55f712f4e4b084d89b99b1f1/1442352522425/%E2%80%A2Maybe_khayalxwaqe3.jpg HOME - Fantasy vs Reality by Yusef al-Ahmad 17 x 22" Digital Print Reality and fantasy are two overlapping concepts.   https://static1.squarespace.com/static/52a018cee4b0aa09f5b86112/55f70ec8e4b0e5bde7f3213d/55f73c0de4b0273aa4f46b0d/1442352542044/Maece.jpg HOME - Ramadan by Maece Seirafi 18" x 24” Pen and Ink An Arabic typographic illustration of the word Ramadan in Arabic finished with a pointillist style. Incorporating the pointillism style is something seen with tattoo artists. An unorthodox approach to portraying Ramadan, however tattoos have a permanence on our bodies similar to the permanence that the process of Ramadan has on our bodies resulting in a feeling of beautiful pain.   https://static1.squarespace.com/static/52a018cee4b0aa09f5b86112/55f70ec8e4b0e5bde7f3213d/55f73c38e4b0c173c6bc9c6c/1442352558549/photo+2.jpg HOME - The Red Flower by Maryam Naghshineh 16x12Acrylic This piece is from artist's new abstract collection, which was inspired by Persian motifs and calligraphy. https://static1.squarespace.com/static/52a018cee4b0aa09f5b86112/55f70ec8e4b0e5bde7f3213d/55f73981e4b0d3eda483354f/1442352591421/paymon.jpg HOME - 7 Cities of Love by Paymon Pojhan 19"x 12"x 12" Aluminum and Brass A reference to the famous Persian poet Attar, and the empire of Persia, comprised of individual cultures and lands. Here we see individual entities uniting, hence creating a higher form: a metaphor for the need to enable existing contrasts amongst humans, towards a path of unity and for the sake of enlightenment.   https://static1.squarespace.com/static/52a018cee4b0aa09f5b86112/55f70ec8e4b0e5bde7f3213d/55f71412e4b078d9726ea4cd/1442352605138/Maryam+N+new+art.jpg HOME - Heart Pendent by Maryam Naghshineh 40x30 Mixed Media This piece was inspired by a poem by famous Iranian poet Ahmad Shamlou called "public love" .     https://static1.squarespace.com/static/52a018cee4b0aa09f5b86112/55f70ec8e4b0e5bde7f3213d/55f73bc9e4b0e61e8a36da14/1442352623890/Paymon-1.jpg HOME - Man Not I by Paymon Pojhan 18"x 11"x 8" Aluminum and Fiberglass What pushes me forward in my art is my roots in my homeland and the Persian culture. This sculpture is a direct reflection of that, bringing forth a being that still has the creativity and delicateness in his work, yet the life in a foreign land has not influenced his identity.   https://static1.squarespace.com/static/52a018cee4b0aa09f5b86112/55f70ec8e4b0e5bde7f3213d/55f7168de4b077a73ad2298c/1442352635952/Pouya01_perscarpFin_small.jpg HOME - Persian Beauty by Pouya Jahanshahi 24 x 36" Digital Print Perhaps amongst all artifacts, the Persian carpet best signifies the Persian culture, a symbol of timeless value, and a work of art that exudes beauty, and elegance. A dominant present in Tehrangeles, this poster is built to resemble a carpet-frame, with threads that weave the central typographic form of the word "Gileem"(Persian Rug). A metaphorical reference to the the hybrid culture that exist amongst Iranian diaspora, Western forms and Latin words are mixed with Farsi writing to communicate this content. Bringing forth a pragmatic dimension, a street map identifying prominent carpet stores in Tehrangeles is amongst the elements present.   https://static1.squarespace.com/static/52a018cee4b0aa09f5b86112/55f70ec8e4b0e5bde7f3213d/55f73c65e4b0273aa4f46d4a/1444791524867/alaki_album_shot.jpg HOME - Alaki by Navid Ghaem Maghami 5"x 5.5" CD Packaging Design Album design for Mohsen Namjoo "Alaki". The menaing of the title" Alaki" (false,fake) is subverted by using the formal script of Naatique.   https://static1.squarespace.com/static/52a018cee4b0aa09f5b86112/55f70ec8e4b0e5bde7f3213d/55f7be3fe4b0273aa4f6db96/1442352666621/Water+and+Jasmine+Purse_Maece+Seirafi.png HOME - Water and Jasmine Felt Clutch by Maece Seirafi 15.5 x 5.5" Lasercut Felt The idea that typography could be worn or touched, in the case of a clutch, has always been a fascination of mine with the ability to treat typography as tactile object one can interact with. The felt typeface is based off of the Local/Not Local logotype.   https://static1.squarespace.com/static/52a018cee4b0aa09f5b86112/55f70ec8e4b0e5bde7f3213d/55f716a4e4b077a73ad22a36/1442352678231/Syria+Shall+Return.jpg HOME - Syria, Shall Return by Maece Seirafi 26 x 19” Screen Print "It Shall Return" is an illustrated map of Syria revealing the beauty of the architectural landmarks all across the country giving a quick scope of what Syria is all about. The idea was to illustrate the landmarks rather than locating them on a map, to reveal the geography and wealthy of this country. This poster brings hope that one day Syria will go back to the prosperous country it once was and continue to thrive in the region as the cradle of civilizations.   https://static1.squarespace.com/static/52a018cee4b0aa09f5b86112/55f70ec8e4b0e5bde7f3213d/55f7bedbe4b059c856ed137c/1442386388222/Screen+Shot+2015-09-14+at+11.46.04+PM.png HOME - Improvisation Concert by Ebrahim Poustinchi 100x70 cm digital print "Improvisation" is a concert based on the dialogue between the modern language of Piano, and the Persian traditional taste of Kamancheh. The atmosphere of Inanlou and Yazdanian's music, illustrate the nature ofIranian modernized, traditional sociality. in this poster, typography has been used as an urban art/sculpture, that is integrated with "Bazaar", as one of the characteristic elements of Iranian life flow. https://static1.squarespace.com/static/52a018cee4b0aa09f5b86112/55f70ec8e4b0e5bde7f3213d/55f7c825e4b0af7449dd0a59/1442352722812/mot2_o.jpg HOME - Arabesque skateboard by Yusef al-Ahmad My fantasy is reality and my reality is hypothetical. 8 x 30" skateboard graphics Kufi style typography and Islamic pattern.   https://static1.squarespace.com/static/52a018cee4b0aa09f5b86112/55f70ec8e4b0e5bde7f3213d/55f7c2d4e4b0baa11c75af13/1442504164982/Paymon+2.jpg HOME - Man Not I by Payon Pojhan 18"x 11"x 8" Aluminum and Fiberglass What pushes me forward in my art is my roots in my homeland and the Persian culture. 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